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Index: Why Ableton live is the best Daw ? Which Ableton Live to buy ? Is Ableton Live Lite Free ? When is Ableton Live 12 coming ? Does a free template come with Ableton Live? Ableton Live vs FL Studio Ableton Live 11 features Ableton Live with midi keyboard Can Ableton Live record vocals ? Why use Ableton Live for Electronic Music production in 2023? Why Ableton live is the best Daw ? Ableton Live is considered to be one of the best digital audio workstations (DAWs) due to its versatility and user-friendly interface. It is widely used in the music production industry for its innovative features such as session view, which allows for easy experimentation and live performance, and its ability to integrate with hardware controllers and other external devices. Additionally, Ableton Live's built-in effects and instruments, and its ability to work seamlessly with other software and hardware, make it a popular choice among music producers. Which Ableton Live to buy ? When choosing which version of Ableton Live to buy, it is important to consider your specific needs and how you plan to use the software. Here are the main differences between the different versions of Ableton Live: Ableton Live Intro: This is the most basic version of the software, and is best for beginners or those on a budget. It includes many of the basic features needed for creating and editing music, but has a limited number of audio and MIDI tracks. Ableton Live Standard: This version includes all of the features in Live Intro, plus additional audio and MIDI tracks, more virtual instruments and effects, and the ability to record and edit automation. It is a good choice for musicians and producers who need more flexibility and power. Ableton Live Suite: This is the most comprehensive version of the software, and includes everything in the Standard version, plus a wide range of additional instruments, effects, and sound libraries. It also includes Max for Live, which allows you to create custom instruments and effects. This version is best for professional musicians and producers who need the most advanced tools and resources. Ableton Live Lite: Ableton Live Lite is a stripped-down version of Ableton Live, a popular digital audio workstation (DAW) software. It has a subset of the features found in the full version of Ableton Live, making it a good option for beginners or those on a budget. Ableton Live Lite includes many of the basic features that are needed for creating and editing music, such as the ability to record and edit audio and MIDI, use virtual instruments and effects, and create and arrange songs. Additionally, it is often bundled with other audio equipment such as audio interfaces, controllers or headphones. Ultimately, the choice of which version to buy will depend on your skill level, budget, and the specific features you require. If you're just starting out and don't have a specific need for advanced features, Ableton Live Intro or Lite might be the best option for you. But if you're a professional musician or producer who needs advanced tools and resources, Ableton Live Suite would be the best choice. Is Ableton Live Lite Free ? Ableton Live Lite is not completely free, but it is often included with other products as a free trial version or as a promotional offer. For example, it may come bundled with certain audio interfaces, controllers, or headphones. Some manufacturers also offer a limited-time free trial of Ableton Live Lite on their website. However, after the trial period or promotional offer ends, you will need to purchase a license to continue using the software. It is worth noting that Ableton also offers a free version of its software called "Ableton Live intro" which is a more limited version than Ableton Live Lite. It has fewer features and fewer audio and MIDI tracks, but it is still a powerful tool for creating music. When is Ableton Live 12 coming ? Following the last releases: Live 8 release date: 2 April 2009 Live 9: 5 March 2013 Live 10: 6 February 2018 Live 11: 23 February 2021 We may expect Ableton Live 12 will be around July 2025. Does a free template come with Ableton Live? Ableton Live does not come with a free template, but it does include a number of built-in presets and examples that you can use as a starting point for your own projects. These include a variety of drum kits, instruments, effects, and samples that you can use to create your own music. Additionally, Ableton Live comes with a variety of demo songs, which you can use to learn how to use the software and get inspiration for your own compositions. However, there are many third-party websites, communities and forums that provide free template for Ableton Live and you can also find many free templates and also paid ones on the internet, that are made by other users, that you can use as a starting point for your own projects. It's important to keep in mind that while these templates can be a great starting point, they are not always of the highest quality and may not be suitable for professional use. It's always a good idea to double-check the quality of the templates you're using and make any necessary adjustments to suit your needs. RM Vibes is one the greatest websites specialized on Ableton Live Templates and also Remakes (Famous songs recreated to be a start point as reference song for students and also professionals). You can check this out on RM Vibes Templates Page. Ableton Live vs FL Studio Ableton Live and FL Studio (previously known as Fruity Loops) are both popular digital audio workstations (DAWs) used for music production. Both have their own strengths and weaknesses, and which one is best for you will depend on your individual needs and preferences. Here are some key differences between the two: Workflow: Ableton Live is known for its unique session view, which allows for easy experimentation and live performance. FL Studio, on the other hand, has a more traditional linear workflow, which is more suited to traditional songwriting and beatmaking. Interface: Ableton Live has a unique and more minimalistic interface that is based on sessions, which allows you to easily experiment and perform live. FL Studio, on the other hand, has a more traditional linear interface, which is better suited for traditional songwriting and arranging. Virtual Instruments and Effects: Both Ableton Live and FL Studio include a wide range of virtual instruments and effects, but Ableton Live's built-in instruments and effects tend to be geared towards electronic music production while FL Studio's instruments and effects are more versatile and suitable for all genre of music. Compatibility: Ableton Live is known for its ability to integrate with hardware controllers and other external devices. FL Studio, on the other hand, is more compatible with Windows and has a more limited ability to integrate with external devices. Audio Editing: Ableton Live has a more advanced audio editing capabilities than FL Studio, with a wider range of audio effects and editing tools. Price: FL Studio has a lower price point compared to Ableton Live, which can be a consideration for some users. In summary, Ableton Live is best for electronic music production and live performance, FL Studio is more for traditional songwriting and beatmaking. Both DAWs are powerful and have their own unique features, so it's best to try them both out and see which one you prefer. Ableton Live 11 features Ableton Live 11 is the latest version of Ableton Live, a digital audio workstation (DAW) software used for creating and producing music. It was released on February 6, 2021. Some of the key features of Ableton Live 11 include: New instruments: Ableton Live 11 includes new instruments such as the "Echo" which is a delay-based instrument, the "Pedal" which is a distortion effect and the "Drum Buss" which is a multi-purpose drum processing tool. New effects: Ableton Live 11 includes new effects such as the "Spectral Resonator" which is a multi-mode resonator effect and the "Spectral Time" which is a frequency-based time-stretching effect. New sound library: Ableton Live 11 includes new sounds and samples that can be used to create new music. New modulation system: Ableton Live 11 includes a new modulation system that allows you to easily create complex modulation patterns. New tempo and pitch detection algorithms: Ableton Live 11 includes new tempo and pitch detection algorithms that provide improved accuracy and stability. New MIDI editing tools: Ableton Live 11 includes new MIDI editing tools that allow you to easily edit and manipulate MIDI data. New session view: Ableton Live 11 includes a new session view that allows for even more intuitive composition and live performance. Automation in real-time: Ableton Live 11 includes the ability to record automation in real-time, which allows you to easily create and edit automation curves. Improved Wavetable synthesizer: Ableton Live 11 includes an improved Wavetable synthesizer that provides more control over sound design. Link feature: Ableton Live 11 includes a new feature called “Link” which allows for easy collaboration and jamming with other musicians over the internet. These are some of the main new features of Ableton Live 11, but it also includes other improvements and enhancements to the software to make it more powerful and user-friendly. Ableton Live with midi keyboard Ableton Live is designed to work seamlessly with MIDI keyboards, and you can use a MIDI keyboard to play virtual instruments, record and edit MIDI, and control various aspects of the software. Here are some steps to set up a MIDI keyboard with Ableton Live: Connect the MIDI keyboard to your computer using a USB cable. Open Ableton Live and go to the Preferences menu. Under the "MIDI" tab, make sure that your MIDI keyboard is recognized and selected as a control surface. Go to the "Devices" menu and select "MIDI Ports" to enable the input and output for your keyboard. Create a new MIDI track by going to the "Create" menu and selecting "Insert MIDI Track". Assign a virtual instrument to the MIDI track by clicking on the "In" button and selecting the virtual instrument you want to use. Begin playing the MIDI keyboard and the virtual instrument should respond to the input. To record your performance, click on the record button on the MIDI track and play the MIDI keyboard. Once your MIDI keyboard is set up, you can use it to play virtual instruments, record and edit MIDI, and use it to control various aspects of Ableton Live such as starting and stopping a clip, adjusting volume and effects, and more. You can also use it to control external MIDI devices such as drum machines, synthesizers and other hardware. It's worth noting that some MIDI keyboard may require additional software or drivers to be recognized by the computer, in that case you should check your keyboard's manual and the manufacturer's website for guidance. Can Ableton Live record vocals ? Yes, Ableton Live can be used to record vocals. Ableton Live is a digital audio workstation (DAW) software that allows you to record, edit and produce audio tracks, which include vocals. Here are the basic steps to record vocals in Ableton Live: Connect a microphone to your computer using an audio interface or a USB microphone Open Ableton Live and go to the Preferences menu, under the "Audio" tab, select your audio interface or USB microphone as the input device Create a new audio track by going to the "Create" menu and selecting "Insert Audio Track" Click on the record button on the audio track and start singing into the microphone. Once you have finished recording, you can edit and process your vocals with the built-in effects, such as EQ, compression, reverb and more. You can also use the Warp feature to time-stretch or pitch-shift your vocals to fit the tempo of your song. You can then export the final recording or mix it with other tracks to create a complete song It's important to note that recording vocals can be a complex process, and you may need to adjust the microphone settings and your singing technique to get the best results. Ableton Live provides a wide variety of tools and options to help you achieve the desired sound, but it is also important to use quality equipment and a good microphone to get the best sound possible. Why use Ableton Live for Electronic Music production in 2023? Ableton Live is a popular digital audio workstation (DAW) software that is widely used in the electronic music production industry. Here are some reasons why Ableton Live is well-suited for electronic music production in 2023: Versatility: Ableton Live is a versatile software that can be used for creating and producing music, as well as for live performance. It is suitable for a wide range of electronic music genres such as techno, house, drum and bass, and more. User-friendly interface: Ableton Live's interface is designed to be intuitive and user-friendly, which makes it easy for electronic music producers to quickly create and experiment with new sounds and ideas. Built-in instruments and effects: Ableton Live includes a wide range of built-in instruments and effects that are specifically geared towards electronic music production. Session view: Ableton Live's session view allows you to easily experiment and perform live, making it perfect for electronic music producers who want to create and perform live. Integration with external devices: Ableton Live can be easily integrated with external devices such as hardware controllers and other software, which allows you to expand your creative possibilities. Ableton Live also has a large and active community of users, which means that you can find a wealth of resources, tutorials and tips online to help you learn and improve your skills. Ableton Live's regular updates and new features are also well-suited for electronic music producers. In summary, Ableton Live is a powerful and versatile software that is well-suited for electronic music production, it's user-friendly interface, built-in instruments and effects, session view, integration with external devices and its active community of users make it a great choice for electronic music producers in 2023.

WHY MUSIC FEEDBACK IS IMPORTANT. Music feedback is an essential part of artist development. Seeking feedback on your songs will help you improve your music and production skills. As musicians, we become so immersed in the music production process it makes it hard to hear our music objectivity. Useful music feedback, both positive and negative will give you a fresh perspective on your work. It also drives artistic decisions, presents new ideas, and reveals problems that may need fixing. The feedback you receive can also help with writer’s block and provides continuous learning. WHAT TYPES OF MUSIC FEEDBACK TO EXPECT. Knowing what types of music feedback you may receive will help you apply it. There are three common critique types: Technical feedback provides specific advice. It’s also the most constructive and useful kind of feedback. People with a particular skill set are best qualified to give feedback on technical aspects of your songs. For example, a mixing engineer or songwriter. General feedback relates to your artistic decisions. It provides general advice rather than specific technical advice. For example, adding vocals or not. Opinion feedback is the most common. It’s also the hardest type of feedback to apply. For example, an opinion is someone saying your song is good or bad. HOW TO ASK FOR PROFESSIONAL FEEDBACK AND USE IT TO IMPROVE YOUR MUSIC. Services such as RM Vibes Music Feedback gives you the opportunity to read a detailed constructive feedback from a outside listener who is A&R from a Label and have experience such as Mix and Mastering Engineering, production skills and already have released great songs at great labels. Last, how do you interpret feedback on your songs? Here are ten things to remember when asking for feedback on your music: HOW TO ASK FOR MUSIC FEEDBACK TO IMPROVE YOUR SONGS 1. KNOW WHY YOU’RE SENDING THAT SPECIFIC SONG FOR FEEDBACK. Are you sending your song because you’re out of ideas? Or do you have many ideas and need help deciding? Specify this to the listener. For example, “I’m still working on this track and would like to know which of the drops at 1:15, 2:08, and 3:22 is the strongest.” Furthermore, don’t ask for feedback if you’ve stopped working on the song. Don’t waste someone’s time if you’re not going to incorporate any suggested changes. 2. KNOW WHY YOU’RE SENDING THAT SONG TO A SPECIFIC PERSON. Your listener should have experience relating to whatever technical needs that may need improvement. For example, if you want feedback on something specific with your mix, ask a mixing engineer. Or if you don’t like the lyrics, ask a songwriter. Also, don’t discount song feedback from non-music people. You don’t have to ask people to give feedback because they have musical experience. However, best not to overwhelm them with technical jargon. Try to keep things to emotional or stylistic aspects. For example, ask “How does the song make you feel” or “What artist does the song sound like?” Conversely, you may not get useful feedback asking someone without musical knowledge what they think of your mix. 3. KNOW WHAT SPECIFIC ASPECTS OF THE SONG NEED WORK. Don’t expect the listener giving you music feedback to critique everything. Most feedback covers one or two aspects of a song. So, it’s crucial to be explicit about what areas of the song you need help improving. For example, ask “What do you think of the lyrical concept and song structure?” Asking for specific feedback will also give you in-depth advice that’s easier to apply. Specific music feedback is always more useful than vague opinions like “this song is awesome!” Moreover, general feedback takes more time and can be overwhelming for a listener. It requires several listens and provides less helpful advice than technical feedback. Again, if it’s something technical, ask someone with that specific skill set. 4. KNOW YOUR ARTISTIC OBJECTIVE FOR THE SONG. Music evokes an emotional feeling. Knowing how your music makes people feel is important. Besides asking for technical feedback, ask how your song makes the listener feel. For example, does it make them feel happy or sad? Also, know what emotion you are trying to convey with your music? For example, ask “I’m trying to evoke x/y/z emotion. Does it come through?” Evoking a specific emotion is the hardest part of writing for many songwriters and music producers. Also, bias plays a role in the way we feel about music. For example, we all have preferences on the genres or styles we like and dislike. So, if you think the feedback comes out of a certain bias, communicate that to the listener. Let them know your artistic objective. 5. KNOW YOUR COMMERCIAL OBJECTIVE FOR THE SONG. If you have a specific commercial objective for the song, be specific about it. For example, are you releasing the song for club play, radio, sync/licensing, etc.? Let the listener know how you plan on using the song. This feedback may be harder to apply. It’s also hard to get useful feedback from someone who doesn’t have experience in a particular industry. However, knowing your objective may influence the feedback, even if the listener doesn’t have a foot in that world. 6. ASK FOR MUSIC FEEDBACK IN A PROFESSIONAL MANNER. If you’re emailing, keep it simple, concise, straight-to-the-point, and polite. Many people will not read a wordy or sloppy email. 100 words or less is plenty. Also, personalize your message. For example, write a sentence or two that compliments the listener. Let them know why you’re seeking their feedback. Last, always thank people for their time! 7. SENDING YOUR MUSIC TO PEOPLE YOU DON’T KNOW. It’s crucial to send your music to people who will give you credible feedback. However, one day you’ll send your music to people you don’t know. Here are things to remember: Be cautious about asking for feedback on your music from someone you don’t know. People you don’t personally or are not into the music you make are likely to give you worthless feedback. Send your music to people involved in the music industry. For example, a DJ that plays songs similar to your music, an A&R from some label, or someone who listens to the genre of music you create. Remember, the vast majority of people don’t have time to give general feedback to anyone who asks for it. 8. HOW TO RESPOND TO MUSIC FEEDBACK. As musicians, we pour our heart and soul into our music. It’s crushing to read negative feedback. However, it’s vital you respond well to any negative feedback. If you plan on making a career in the music business, get used to criticism and hard truth. If you disagree with the feedback, thank the listener for their opinion and let him know you’ll keep it in mind. Be mindful and avoid attacking someone for giving their opinion. You won’t get honest feedback with that behavior. Also, you don’t have to apply all the feedback you receive. But don’t deflect it either. A listener will never give you feedback again if you push back on their assessment. Remember, don’t waste someone’s time if you’re unwilling to accept critical feedback. So, avoid getting into a debate with the person taking the time to help you! 9. BUILD YOUR NETWORK. Building relationships and networking in the music industry is always helpful. Get out and connect with people in the music industry, regardless of their status. Try to meet other artists, producers, DJ’s, publicists, booking agents, label staff, fans, and anyone else in the music scene. These connections could open new opportunities and provide more helpful feedback. 10. MUSIC FEEDBACK SERVICES. Music feedback services like RM Vibes Music Feedback gives you the opportunity to read a detailed constructive feedback from a outside listener who is A&R from a Label and have experience such as Mix and Mastering Engineering, production skills and already have released great songs at great labels.

If you follow at least a little of the electronic scene, you've certainly heard about these two artists: FISHER and Chris Lake. Owners of countless electronic music hits, they are drawing more attention than ever. Known worldwide for setting trends in the market in recent years, these DJs are at the top of an increasingly growing niche, with their explosive tech house tracks and performances at the biggest electronic music festivals in the world. CHRIS LAKE Chris Lake is a British DJ and producer who has had an extremely respected career in the electronic music industry. At the age of 37, he conquered the world of music production becoming a true hitmaker, acting in different musical styles. His first pseudonym was Christophe D’Abuc, a project for which he became known worldwide with his remixes for the bands The Prodigy, Leftfield and Eurythmics. 2006 was the year of his first hit “Changes” with vocals by Laura V. Already emerging on the “UK Singles” chart and with the release licensed by Universal Music, the song became the summer hit of that year, reaching the TOP 10 of Billboard. He then released singles such as “Carry Me Away”, “Only One”, and “If You Knew”, securing his place at the top of the US dance music charts and showing all the glamor that house music could offer at the time. This was just the beginning of his great musical journey. We can clearly see that Chris Lake has made his mark on the most prestigious labels on the market, such as Defected, ULTRA, Strictly Rhythm, Toolroom and Cr2 Records, in addition to collecting numerous hits in his catalogue. And he hasn't stopped in time or become obsolete as a producer, he's always reinventing himself in line with the trends. His recent tracks like “Operator”, “I Want You” and “Give Her Right Back” have won over a new generation of electronic music lovers. Not to mention the songs "Stay With Me", "Lose My Mind", "Deceiver", "Free Your Body" , "Turn Off The Lights" and many other, all released by his own label Black Book Records. CURIOSITY: Chris Lake is mentioned on Discogs as one of the composers of the hit "Arguru", by Deadmau5, even though he has not signed the song as a collaborator. And for Bass House fans, he also has another side project called Anti Up, in partnership with the talented Chris Lorenzo, which needs no comment. Each release is another successful success in the producer's career. It's been almost 20 years of successful releases, conquering the market in each of its cycles without losing its mastery. Can you imagine how many ghost productions he must have done for other artists? Here at RM Vibes, we specialize in making hits, or putting that finishing touch to your music, and making it just the way you want it. Click here to know our services. FISHER Straight from the exotic beaches of Australia, we have a very crazy surfer who is conquering the slopes around the world, with his irreverent performances and an interaction with the public full of humor. He is Paul Nicholas Fisher, or just FISHER. Famous for his explosive and global hits, the artist was present in the playlists of the greatest DJs in the world, with a meteoric rise in a very short time in a solo career. Hit songs like “Ya Kidding”, “Stop It”, “You Little Beauty”, “Wanna Go Dancing” and “Just Feels Tight” are being played at parties all over the world. And we don't even need to mention “Losing It” - its biggest hit so far - being the most played song at the mega festival Tomorrowland Belgium (2018 and 2019 editions) and nominated for the 2019 Grammy! FISHER was part of the Cut Snake duo, who started out alongside surfer friend Leight “Sedz” Sedley, playing during surf circuit trips around the world. The project already provided a certain pretext for what would become the sound of his solo project. With their first EP released as FISHER by the giant Dirtybird, their success was inherent. The singles “Ya Kidding” and “Stop it” quickly won over tech house fans, reaching the top of the Beatport charts and garnering a lot of attention. Shortly thereafter, “Losing It” came to overwhelming success on platforms and on the dancefloor, signing the first release on its own label, Catch & Release. The song was nominated for a Grammy in the category “Best Dance Recording”, alongside big names in electronic music. CURIOSITY: Before diving into electronic music, FISHER was a professional surfer in the World Surf League and made funny videos on his YouTube vlog. And what is the relationship between the two? We know that Chris Lake and FISHER today tour together with their label party NAFF (Not Another Fkn Festival) performing at various sold out parties around the world and are always together having fun with fans on social media. For as big a success as these artists, we know there's a lot of work behind them, and ironically, one of them is reputed to be the ghost producer for the other. On the internet, there are many topics related to the two artists, pointing Chris Lake as one of those responsible for producing FISHER's hits, always with a mysterious atmosphere in the air. If we analyze the songs themselves, we can see that the styles are very coherent and have some similar characteristics, and for Chris Lake's trajectory, the producer never lacked opportunity to work with great names in electronic music. Another important point is that both artists have the same management in American territory. Last year, some images were leaked onto internet forums, indicating that part of the copyright to FISHER's songs “Stop It” and “Ya Kidding” also went to Chris Lake. And it wasn't the first time that this happened—the track “Lick It” by Valentino Khan was also credited to the British producer and his wife, Gita Lake (who is probably the lead singer of the track in this case). Is Chris Lake the ghost producer for FISHER, Valentino Khan and other artists we don't even know? And is Gita Lake, Chris' wife, responsible for the vocals on the hit “Losing It”? We can imagine that Chris Lake is behind the sound identity of many artists who are making a huge success in the world. And this phenomenon goes far beyond the practice of ghost production. The subject has been debated for years, and it is very difficult to measure the work of each artist based only on the time spent in the studio. We often see artists working together with more experienced producers, looking for a better result, and this is completely natural in the music industry. Over time, ghost production is no longer considered taboo. After all, in the history of every successful musical band, there are audio engineers with a unique ability to shape the sonic aesthetics of each era and help these musicians to achieve impeccable results. Here at RM Vibes, we have many Ableton Live Remakes of these two great artists, where you can start your track using them as a reference and kickoff and the client also has the opportunity to work in collaboration with our producers, seeking to reach their full potential. as a producer and ensuring a high quality of your tracks. What are you waiting for to start making your tracks with us? Click here and let's dive together into the universe of electronic music.

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Your tracks sound quiet and muffled? Don't have enough experience in Mixing and/or Mastering ? ​ A well mixed track can be the difference between your song being a flop or becoming a hit. Details + Ableton Live Templates > + Packs > + Ableton Effect Racks > New (RMK) Dom Dolla, MK - Rhyme Dust Regular Price $30.00 Sale Price $25.00 New (RMK) Joshwa - Magalenha Price $25.00 New (RMK) John Summit - Revolution Regular Price $35.00 Sale Price $25.00 New (RMK) Mau P - Gimme That Bounce Regular Price $35.00 Sale Price $25.00 New (RMK) Dom Dolla, MK - Rhyme Dust Regular Price $30.00 Sale Price $25.00 New (RMK) Joshwa - Magalenha Price $25.00 New (RMK) John Summit - Revolution Regular Price $35.00 Sale Price $25.00 New (RMK) Mau P - Gimme That Bounce Regular Price $35.00 Sale Price $25.00 Melodic For Serum Regular Price $35.00 Sale Price $25.00 Tech House Drums Regular Price $35.00 Sale Price $22.00 New Tech House Basslines Regular Price $30.00 Sale Price $20.00 New Tech House For Serum VOL.2 Regular Price $30.00 Sale Price $25.00 Melodic For Serum Regular Price $35.00 Sale Price $25.00 Tech House Drums Regular Price $35.00 Sale Price $22.00 New Tech House Basslines Regular Price $30.00 Sale Price $20.00 New Tech House For Serum VOL.2 Regular Price $30.00 Sale Price $25.00 Melodic For Serum Regular Price $35.00 Sale Price $25.00 Tech House Drums Regular Price $35.00 Sale Price $22.00 New Ableton MASTER Price $10.00 New DJM Mixer Price $10.00 New Parallel Processing (Linear) Price $5.00 New Transient Shaper Multiband Price $10.00 New Ableton MASTER Price $10.00 New DJM Mixer Price $10.00 New Parallel Processing (Linear) Price $5.00 New Transient Shaper Multiband Price $10.00 New Ableton MASTER Price $10.00 New DJM Mixer Price $10.00 New Parallel Processing (Linear) Price $5.00 Âncora 1 About Us RM Vibes is a Brazilian company founded in 2019 by 'Rafael Manga' who has clients worldwide and makes Ableton Remakes, Templates, Samples Packs, Free Downloads and Preset Packs for Serum, that helps you learn music production, improves your workflow and quality of your songs. We also have Co-Producer, Ghost Producer and Mixing & Mastering services. Our collection of Templates & Presets is always growing to suit the latest electronic music trends. With a large experience as producer, sound designer and audio engineer, always bringing products with least possible external plugins, to facilitate the compatibility for our clients.