Hybrid Mixing & Mastering combines the precision and flexibility of high-end digital processing with the character and depth of professional analog hardware. I work with a carefully selected collection of industry-standard mixing and mastering plugins, alongside my analog gear, choosing the right combination of tools for each track. This allows me to combine detailed digital control with the tonal character, punch and depth of analog processing to achieve a balanced, powerful and release-ready result.

After purchasing the service, you’ll receive a PDF with detailed instructions on how to prepare and send your project. It covers recommended file formats, export settings, headroom, stems, gain staging and other best practices to ensure I receive everything I need to start working on your track. A specific reference track is also essential, as it allows me to understand the exact sonic direction you want and use it as a reference throughout the mixing and mastering process.

There is no fixed number of revisions. You can provide feedback and request adjustments until we reach the result you’re looking for. However, each revision should be based on the previous version. If a change is requested, approved, and then later reversed or changed again in a subsequent revision, this may be considered additional work and may incur an extra fee. I’ll always discuss this with you beforehand.

A typical mixing and mastering project takes around 2 days to complete. The exact turnaround time depends on the project and its complexity. Once I receive your files and requirements, I’ll confirm the expected delivery time before starting the work.

Yes. My work is focused on Electronic Music, and I have extensive experience working with Tech House, UK Bass, UK Garage, Techno, House and their subgenres.Providing a reference track is essential to the process. Every artist has their own approach to sound, and even within the same genre, mixing and mastering can vary significantly. The reference allows me to understand exactly how you want your track to sound. I’ll carefully analyze its tonal balance, dynamics, low-end, stereo image, loudness and other nuances, using it as a sonic target throughout the process to bring your track as close as possible to the sound you’re looking for.